The dial
is the argument.
Galvanic fumé, hand-polished at the centre. Roughly one in four is rejected, by hand, before it leaves the bench.
Galvanic fumé, hand-polished at the centre. Roughly one in four is rejected, by hand, before it leaves the bench.
Every watch passes through Harold's hands twice — once at assembly, and once before it leaves us. We make what we can stand behind.
A flyer GMT, a column-wheel chronograph, a 39mm perpetual. Built for clients who already own one good watch — and want the next.
A piece we'd like you to see
The watch that brought Ashworth & Finch its first coverage outside enthusiast circles — a fumé midnight blue that, in the right window, shifts from midnight to dusk.
Galvanic colour applied over a stamped brass base, then hand-polished at the centre to produce the gradient. Each dial is individually inspected — the current reject rate is roughly one in four.
Calibre HF-201, regulated to ±8 seconds per day in five positions. Domed sapphire, double anti-reflective. No date — Harold refuses to cut the dial for it.
Three collections · Nine references
Nine watches, considered. Each collection answers one question — and stops there.
The dial shifts from midnight to dusk depending on whether the sky is honest that day.
Monocle · The Hampstead Blue, 2022
The atelier
We don't grow. We don't license. We don't apologise for the wait. Each watch is built to order in a single workshop on the south coast of England, by five people who have known each other for nine years.